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In this review we’ll concentrate on GPO 5’s new material.
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If you want to dig deeper, check out the SOS reviews of the original library and GPO 4 update, published in October 2004 and June 2010 respectively. The ‘better strings’ demanded by long-time GPO users have duly been delivered. Recorded at New York’s Lincoln Center, their large sections (12 first violins, 10 second violins, 10 violas, eight cellos and seven double basses) sound bigger, lusher and less synthetic than their antecedents. The violins play vibrato sustains, sumptuous detachés and seven types of short note, highlights of which are a sweet, lyrical portato style and a brisk, agile sul tasto bowing ideally suited to rhythmic ostinatos. Also included are harmonics, loose and tight col legno and pizzicato, Bartok ‘snap’ pizzicato, ricochets and effects such as atonal glissandi. The lower strings match the violins’ quality: I was impressed by the violas’ singing, transparent upper range and the rich, vibrant timbre of the cellos, and enjoyed using the library’s auto-legato and portamento functions to perform Bollywood-style string slides. These sections actually first came to light in Garritan Orchestral Strings, described in SOS’s May 2002 edition as “the most ambitious sampled string library ever undertaken”. That mega-opus was a true labour of love and it’s good to hear its instruments, now benefiting from loops, keyswitches, improved processing and full-range presentation, back in action again. Other new additions are freshly-squeezed solo strings and small sections of three violins, four violas, three cellos and two basses, all playing a selection of basic styles. The three violins’ vibrato is a touch overstated for my taste, and some may regret the absence of non-vibrato string performances. Nevertheless, these are strong, well-played samples which, in tandem with the GPO 4 string patches incorporated in the update, offer a wealth of musical options. Moving on, if you’re in the habit of creating harp glissandi by swooshing your hand up and down the keyboard white notes, you can now pre-determine the glissandi scale with a set of seven virtual pedals (just like on a real harp), rather than having to painstakingly edit each pitch after the event. Though beautifully in tune, GPO 4’s mixed-voice choir was very limited in scope. Choral enthusiasts will welcome GPO 5’s separate sopranos, altos, tenors, basses, boys and childrens’ choir sections. Keyswitchable ‘oohs’ and ‘aahs’ are sung by all, with the youngsters also contributing ‘eehs’.
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#Garritan personal orchestra 5 demo downlonad mac
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